Features & Reviews
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“Yes” as Signature and Grounding: Hannah Emerson’s The Kissing of Kissing
In this experience of oneness . . . Emerson invites comparisons to mystic poets. And like them, Emerson breaks from her singular experience to take on some of life’s biggest questions: What does it mean to be human? Why do…
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Witches, Mushrooms, Collective Voices, and Catalan: A Conversation with Irene Solà and Mara Faye Lethem
Remember the little green dolls in Toy Story that live in a vending machine, the claw is their god and they go “The Claw!” and cower away? I imagined the mushrooms in the same way, except their claw is the…
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A Guidebook for Liminal Times: Martin Shaw’s Smoke Hole
These are liminal times. You must have this book at your side.
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Solace in Writing About the End of the World: An Interview with Mike Meginnis
The most beautiful thing I can think of to do with one’s life is to write a novel, even as I feel really ambivalent about the utility of doing it, about the value to myself and to society and to…
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From the Archive: Sketch Book Reviews: Girlhood by Melissa Febos
An illustrated review of Melissa Febos’s new essay collection, GIRLHOOD!
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Make the Story Work, and the Politics Will Look After Itself: The Rumpus Interview with Tony Birch
It is easy to be awed by Tony Birch’s prolific body of work—his dynamic career ranging from firefighter to professor—his deep love of family and heritage, and his humility. He is a historian and climate change activist who outwardly observes…
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The Community Aspect of Poetry: A Conversation with H. Melt
I think poetry lends itself to community and getting to know people intimately. Poetry requires vulnerability.
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At the Crossing Between Words: Migrant Psalms by Darrel Alejandro Holnes
The actor stares the audience in the eye—shattering the fourth wall, and we’re implored to see better. Holnes challenges us to view our realities as multifaceted and dynamic—there are no neat boxes, no easy definitions.
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Apocalypse Yesterday: Chi Ta-wei’s The Membranes
The Membranes is a climate novel not because it contends with catastrophe, but because it shows that everydayness has a way of proceeding alongside disaster.


