Susan Straight has remarkable range as a writer. Her voice can be elegant in the rhythms and vocabulary of her narrative, yet also blunt and raw in dialogue. In her…
I am not impressed with writers who refuse to use punctuation or capitalization; that gimmick has been famously used already, so now it comes across as lazy and unoriginal. Also,…
Three quarters of the way through Alex Forman’s multimedia paean to presidential minutiae, Tall, Slim & Erect: Portraits of the Presidents, you hit this candid entry from Harry Truman’s 1947…
The cover of Allan Peterson’s Fragile Acts, in print and as eBook, is as visually compelling as the cover of Rebecca Lindenberg’s Love, An Index, the first poetry selection in…
It’s hard to write well about the Internet. This is partly, as many have noted, because life on a screen is already mediated, so to write about these corners of…
Elizabeth Crane’s We Only Know So Much focuses on the lives of a bunch of messed up people. Really messed up people, in fact. Okay, there’s a great deal more…
I don’t think I ever laughed with a poem. Sometimes I chuckle at a clever turn of phrase, or at a shared sentiment, or a little idiosyncrasy that I thought…
Uselysses by Noel Black is a collection of five, distinct, short books of poetry. The first three books collect introspective and self-conscious poems common in contemporary poetry, distinguishing themselves with…
“One can no more locate the unconscious impulse to a poem among the synapses of the brain,” Devin Johnston writes in the preface to Precipitations, his study of the relationship…
Though prolific, the writer, cultural critic, religious apologist, and British literary theorist Terry Eagleton fights for relevance with each subsequent book. Most of us, if we know his name at…