Throughout the collection, the speaker in these poems is constantly aware of this contradiction, the intersection between life and art, perhaps frighteningly so, seeking solace in “these few things left,”…
César Aira’s Varamo reaffirms Aira’s place as seminal Latin American writer whose work wanders between bizarre situations and philosophical digressions.
In his memoir, God, If You’re Not Up There, I’m F*cked, Darrell Hammond tells his story with a remarkable candor that seems designed not to shock or titillate, but to…
Schomburg’s newest book, Fjords, Vol. 1 holds true to this idea of finding familiarity in a parallel consciousness. Just because the poems often work in a seemingly private dreamscape, doesn’t…
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
Sitting on the edge of the English language, Aleksandr Solzhenitsyn’s new collection Apricot Jam and Other Stories pushes us into twentieth century Russia.
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and…
Helen DeWitt’s satirical novel Lightning Rods turns the quotidian American workplace into a cloaked prostitution ring and makes us wonder if it isn’t already one.