This sparse book, “an essay on pregnancy and earthquakes,” deals with the author’s dueling fears of recent and future earthquakes and her impending childbirth.
Reading about flânerie is a “useful” thing for me to do: useful for my career, for my scholarly ambitions. Actually partaking in flânerie is rarely useful in these ways
THE BIRDS AND US, written by Tim Birkhead and released August 2022 from Princeton Review Press, is atheist perfect mix of history, narrative, and science with a dash of cool illustrations. Throughout the book, readers will learn about everything from bird cave paintings, to birdwatching, and everything in between.
In early May I was scrolling through Twitter when I came across a post from author Nichole Perkins that piqued my interest. It was a sexy tweet—in a string of…
Throughout the collection New York City reflects a unique landscape of loss, a space as full of grief as it is of everyday life, scientific facts, memory, motherhood, healing, love, and hope.
If she just wrote about her own life, perhaps she could produce something that rivals Portrait of a Lady. Yet none of the books she reads are actually written by women.
“Mostly,” this novel warns us, “the dead are at peace. But when they are not, this is when they may ask something of us, attempt to guide our lives to fulfill what they could not.”
After the memorials, the funerals, the endless influx of flowers and casserole dishes and well-meaning texts, the collective retreats back into their lives and all that is left is the individual, grieving for months and years and perhaps even the rest of their own life.
. . . as the St. Bernard women in Ayanna Lloyd Banwo’s debut novel When We Were Birds have understood from generation to generation, the dead need to stay dead . . .