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Reviews

2648 posts
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Their Faces Blur in Every Mirror

  • Joey Connelly
  • December 28, 2011
Darling writes with incredible crispness, but the world she describes remains cold, stark, upper-class, and difficult to relate to.
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These Veins of Leaf, Hand, Storm and Stream

  • Barbara Berman
  • December 23, 2011
Ideally, critics and teachers are humbled by their vocations and the artistry the vocations expose them to, encouraging effort to stay fresh , emotionally resonant and intellectually worthwhile. Say yes…
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Somewhere Below the Solar Plexus of Her

  • Julie Brooks Barbour
  • December 21, 2011
What does it take for a person to kill a living thing, then a human being? Why are the truths of war silenced?
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Toteninsel in English

  • Malcolm Forbes
  • December 20, 2011
New in English, Gerhard Meier’s 1979 Isle of the Dead recalls W.G. Sebald’s The Rings of Saturn as two friends traverse their town, discussing nature and death in elegant prose.
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Books as Fetish Objects

  • Lisa Levy
  • December 19, 2011
Unpacking My Library introduces a new sub-genre to coffee table books: library porn.
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What Part Are You Now?

  • Martin Bartels
  • December 16, 2011
Harrison’s style is spare and evocative, more expressive than Hemingway but less misogynistic, more accessible than Thoreau. Honest.
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Against an Ethical Machine

  • Matt McGregor
  • December 15, 2011
Rejected by the early Soviet state, Sigizmund Krhizhanovsky published only nine stories in his lifetime; luckily his novel The Letter Killers Club  is now available in English.
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It’s Pigsty I

  • T Fleischmann
  • December 14, 2011
Nomura plays with language in radical and diverse ways, employing subtleties of rhythm, semantics, image, gender, punctuation, and repetition, often all within the same short stanza.
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Light

  • Christine Neulieb
  • December 13, 2011
New in English, Andrzej Stasiuk’s novel Dukla is more of a verbal painting than a novel, but his exquisite descriptions are worth the reader’s work.
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Death of an Author

  • Johannes Lichtman
  • December 12, 2011
Edouard Levé’s Suicide, a slim, declarative, idea-driven novel, is daring and raw, and packed full of rewards for any reader willing to take a wide step outside of the American mainstream.
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O Circular Philosopher

  • Alexis Orgera
  • December 9, 2011
The field is integral, too, to Dan Beachy-Quick’s Circle’s Apprentice—the field of vision, field of the empty page and of the populated page, field of self/ body/maker, absence of field.…
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Grossman’s Magnum Opus

  • Bezalel Stern
  • December 8, 2011
  In his latest novel, To the End of the Land, Israeli novelist David Grossman encapsulates the magical thinking of a country that could easily not exist.
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