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Reviews

2651 posts
  • Features & Reviews
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A History of Violence

  • Eryn Loeb
  • August 27, 2009
In After the Fire a Small Still Voice, love is a difficult, vulnerable salvation—its troubled characters aren’t sure it’s worth the risk.
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Hos, Hookers, Call Girls, and Rent Boys

  • Monica Shores
  • August 26, 2009
“There’s something unique about being a member of the sex worker club, an instant camaraderie that bonds one to people who would otherwise be strangers, and this chemistry is something…
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How to Leave Hialeah

  • Vanessa Garcia
  • August 25, 2009
“Crucet is endowed with the double vision that helped Richard Wright and Salman Rushdie describe the lives of marginalized people with poignancy, humor, and rich music.”
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Sex and the Witty

  • John Madera
  • August 17, 2009
There’s Something Wrong with Sven combines imaginative leaps worthy of Calvino and Vonnegut with tragicomic irreverence of the George Saunders variety.
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On the Couch

  • Rachel Weiner
  • August 14, 2009
The protagonist of this novel about addiction, therapy, and recovery, confronts many of the same issues as its author.
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Take Dead Aim

  • Sean Singer
  • August 11, 2009
Aim Straight at the Fountain and Press Vaporize is ambitious and clever. By turns entertaining, fascinating, and charming, it is also monotonous with its adolescent charm and fluorescent insistence.
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In the Eye of the Hurricane

  • Thomas H. McNeely
  • August 10, 2009
The Louisiana Skip Horack creates is both generative and broken, salvific and ruined, marked in ways large and small by Hurricane Katrina.
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The Fog of War

  • Aaron Gwyn
  • August 7, 2009
Robert Olmstead’s new novel demonstrates Robert E. Lee’s maxim: “It is well that war is so horrible, or we would grow to love it too much.”
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Genre Trap

  • Matt McGregor
  • August 6, 2009
Spanish author Javier Calvo’s novel critiques pop culture by embracing its stereotypes
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“Trouble on the way, and great joy”

  • Virginia Konchan
  • August 4, 2009
In a place where names are lost like household objects, and white noise supplants meaningful distinctions between voices and people, why the need for singularity (or personhood) at all?
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Fingers Through Holy Water

  • Brian Spears
  • July 30, 2009
Gospel music, like its secular cousin the blues, never wallows in pity, but instead seeks to transcend pain and reach glory. Bashir’s book makes the same trip.
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Bait and Switch

  • Ly Chheng
  • July 28, 2009
Like a well-planned itinerary, the blueprints of James Lasdun’s stories are thoughtfully delineated, and each step feels purposeful and sure.
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