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Both Reckoning and Embrace: Dorianne Laux’s Only As The Day Is Long

  • Jeri Theriault
  • January 3, 2020
As the book continues, [Laux] traces a growing understanding of loss.
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Paying Attention: Elizabeth Jacobson’s Not Into the Blossoms and Not Into the Air

  • Julie Marie Wade
  • December 27, 2019
Looking can be a way to honor, a way to pay our respects.
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A Divine Comedy of Experience: Hannah Ensor’s Love Dream with Television

  • Irene Cooper
  • December 20, 2019
Art is a fickle running buddy, legacy jumps out unexpectedly, and love is too serious not to joke about.
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Food in Times of Need: Eat Joy edited by Natalie Eve Garrett

  • Jennifer Huang
  • December 18, 2019
This book begs to be flipped through and read with leisure.
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A Kind of Bliss: Odes to Lithium by Shira Erlichman

  • Stephanie Wong Ken
  • December 13, 2019
In these moments, we are there with her, to witness the work of staying sane.
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A Gripping, Limited Call to Arms: Margaret Atwood’s The Testaments

  • Gina Frangello
  • December 11, 2019
There are so many happy endings that dystopia and utopia become almost indistinguishable by the novel’s end.
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Living the Unknown: Carmen Maria Machado’s In the Dream House

  • A. Poythress
  • December 4, 2019
I needed this book. Maybe you will, too.
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Colonialism as Alien Invasion: Cadwell Turnbull’s The Lesson

  • Peter Mack
  • November 27, 2019
What if the arrival of alien life wasn’t the future, but just another recapitulation of our bloody past?
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A Metaphysical Inquiry: Nick Laird’s Feel Free

  • Jared Spears
  • November 22, 2019
The work maintains a wondering backward, as it were, tracing the varied details of lived experience.
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A Story of Memory: Machine by Susan Steinberg

  • Justin Brouckaert
  • November 20, 2019
The narrator is trapped here, in the summer her family and her life fell apart.
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Between Sex and Death: Deborah Landau’s Soft Targets

  • Elizabeth Knapp
  • November 15, 2019
Survival, for Landau, is both instinctual and ultimately pointless.
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The Violence of Forgetting: The Divers’ Game by Jesse Ball

  • Spencer Ruchti
  • November 13, 2019
His is not a language that trivializes violence; it’s a language that exposes it.
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