Reviews

Park is not being cheeky. Rather, she’s taking a power that has lived in the hearts and minds of so many young people and propelling the magical girl genre into an entirely new dimension.

[Valencia] portrays both the beauty and the horror of the desert, its landscape, and its inhabitants with the keen eye of someone who is intimately familiar with the rhythms and realities of desert life.

“You’ll be my way out. . . . And it makes no difference what you’re thinking or feeling, or whether or not you believe in transcendence or whatever you call it. I’m already inside of you.”

By insisting that Ezra’s ordinary life is epic, Sax shows that every life must be epic, holding everyone accountable. No one can sit out.

What happens to the artist when his society shatters? How does he keep alive the impetus to create after losing his family and place in the world?

But for so many of us, love is “a puzzle with jig-sawed edges, and all we have are scattered, often missing, pieces of ourselves.

As the handwritten stories unfold, the lives of the two ceramicists come closer and closer.

Marriage and motherhood become like invasive species that coil around Jane’s career, leeching her of energy and creative drive.

Ann Rower was 53 when she made her literary debut with this collection of personal essays and stories. Initially published by Semiotext(e) in 1991 as the first entry of their Native Agents series that platformed women in an overly male literary landscape, If You’re a Girl captured the spit and vinegar of mid-late twentieth-century female bohemia.

We first must recognize the path not taken as a burden that controlled us and will not surrender easily.