Reviews
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Imagination Is Like Grace: Meghan O’Rourke’s Sun in Days
A poem doesn’t bring the dead back to life, but a memory has a touch of immortality: it’s a sort of recompense—forever isn’t exactly a lie, even if it’s not completely true.
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Ward’s Mississippi Is Our Mississippi: Sing, Unburied, Sing by Jesmyn Ward
Capturing the Delta in harrowing detail, Ward takes readers on a journey from her own home of the Gulf Coast to the Mississippi State Penitentiary.
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Naming Our Phantoms: Tim Taranto’s Ars Botanica
There is no way to classify a response to pregnancy. It is what it is, which is why people find consolation in naming their phantoms. In this case, the phantom is named Catalpa.
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A Tour de Force of Grief: Sun & Urn by Christopher Salerno
The winner of the 2016 inaugural Georgia Poetry Prize, Sun & Urn is gloomy and luminous, nostalgic and hopeful, moribund yet brimming with life.
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Gentrification Looks Like Us: Making Rent in Bed-Stuy by Brandon Harris
Harris thoughtfully examines what happens when privilege and lack of privilege are forced to coexist in the same neighborhood—and, occasionally, in the same apartment.
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Coursing Byways and Biographical Thoroughfares: Karin Roffman’s The Songs We Know Best: John Ashbery’s Early Life
I’ve long found that when reading Ashbery’s poetry it’s easy to lose track of just who the poet is.
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Glimpsing the Colors of the World: Nancy Chen Long’s Light Into Bodies
As a white mother of biracial children myself, this book became for me an opportunity to glimpse, for a moment, the colors of the world, and of skin, as my children might.
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Scripting New Narratives: Mandy Len Catron’s How to Fall in Love with Anyone
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.



