Reviews
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Girls Who Know: Jenny Zhang’s Sour Heart
Confessional without the shame of confession, the best stories in Sour Heart feel like they are being poured from a girl heart right to your ear.
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Glimpsing the Colors of the World: Nancy Chen Long’s Light Into Bodies
As a white mother of biracial children myself, this book became for me an opportunity to glimpse, for a moment, the colors of the world, and of skin, as my children might.
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Scripting New Narratives: Mandy Len Catron’s How to Fall in Love with Anyone
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
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Entering an Open Doorway: Marjorie Agosín’s Las Islas Blancas / The White Islands
Agosín’s poems, though quiet and seemingly simple, linger with an interior elasticity that does not break.
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Not Your Typical Hero: Hostage by Guy Delisle
Against the muscular inevitability of Hollywood heroism, Hostage introduces the possibility that, in the face of the incomprehensible, we might remain ourselves.
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A Reluctant Chronicling: Natalie Shapero’s Hard Child
“I typically hate discussing the past,” the speaker admits in the title poem, “Hard Child,” then a few poems later, a little more defensively—“I swear to God I hardly think of the past.”
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Bodies Testing Boundaries: The Worlds We Think We Know by Dalia Rosenfeld
The Worlds We Think We Know by Dalia Rosenfeld is a profound debut that carefully undermines the foundational assumptions we have about other people.
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More Than Vicarious: Conflation and ALOHA / irish trees
In this intimate, auditory format, you can hear the poets’ pages crinkling as they turn them—such a reassuring sound—turning pages instead of scrolling screens!
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Both Beauty and Horror: Water & Salt by Lena Khalaf Tuffaha
Tuffaha harnesses the legerdemain of lyric to link love and grief, anger and hope.
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Navigating Empathy: Camille T. Dungy’s Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History
Luckily for us, Dungy’s increase in empathy and experience coincides with her embrace of the braided essay: her thinking crashes people, places, and ideas against each other in unexpected and adventurous ways.
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There Is No Answer: Draw Your Weapons by Sarah Sentilles
As Sentilles makes clear, she is against the wars the United States is currently involved in, and war in general, but she’s critical of what that means.
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At the Intersection of Personal and Political: Resistance, Rebellion, Life: 50 Poems Now edited by Amit Majmudar
American writers have a long, distinguished history of calling out injustice.