Reviews
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Celebrating Failures in Nell Stevens’s Bleaker House
Who has time for Writer Problems in the midst of all these PROBLEMS?
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Ariel Levy’s Queer Generation
The playful sense of shifting identity applies to feminists, to writers, to anyone who chooses to believe we can reinvent ourselves.
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Going Beneath the Scarred Exterior in She May Be a Saint
Nichols wants us to know that, like every woman scorned, whether by an individual or by society, her maenad was initially innocent and loving. Beneath a scarred exterior, that innocent still resides.
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Biblical Rebels and Romantics in The First Love Story
Adam and Eve are the Bible’s most infamous couple: Bonnie and Clyde, year zero.
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The Strangely Plausible Abyss of American War
In Akkad’s dystopian scenario, the US faces a resurgent Mexico and a vast and newly powerful North African-Arabian empire.
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Weaving Webs in Meghan Privitello’s Notes on the End of the World
In Notes on the End of the World, time is not linear. Memories of the past intersect with the present. In a flashback to a pre-apocalyptic carnival, we see signs of impending doom.
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Escaping Time with All Our Wrong Todays
Mastai takes the predictable stakes of time travel (erasing the future, changing the past) and heightens them.
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Daddy’s Girl Sees Daddy’s Scars in The Twelve Lives of Samuel Hawley
[Tinti] has cleverly illustrated the tender relationship between a father and his little girl, the respect a daughter has for her dad, and the lengths that both of them will travel to protect one another.
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Han Yujoo, Wild Child of the South Korean Literary Scene
The Impossible Fairy Tale presents a dark and fraught conception of childhood.
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Music Always About to Begin: Not on the Last Day, but on the Very Last
Matthew Minicucci reviews Justin Boening’s Not on the Last Day, but on the Very Last today in Rumpus Poetry.

