This Friday, Filmmaker will conclude “The Blue Velvet Project,” a year-long endeavor helmed by Rumpus columnist Nicholas Rombes. Published three times a week, the project is an ambitious feat: for every 47 seconds of film,…
Moonrise Kingdom is set in 1965 on an isolated New England island, at the waning end of summer, which as it turns out is the perfect setting for a Wes…
Two fascinating screenings coming up in the Bay Area: First, Besa: The Promise, a documentary about the experiences of Jewish Albanians safeguarded by Muslims during World War II, presented alongside…
Julian McDonnell discusses selling baby kites, and how he parlayed it into a documentary chronicling the legal tribulations of roving peddlers like himself.
Over at The Atlantic, here’s some dating advice for young people in the ’40s and from young people in the ’80s. Check out the sexist tips and take a peek into the…
Since premiering at Sundance in 2002 with This is John, Mark and Jay Duplass have acquired a reputation for making emotional family-driven films on the budget of a shoestring, while also finding success with studio backed films like Cyrus and Jeff, Who Lives At Home.
Pitchfork has posted a trailer for funky-afro-prog-pop indie darlings Dirty Projectors’ upcoming short film, “Hi Custodian.” Among the many highlights is the 808 heavy, clap laden introductory track, “Offspring Are…
Iranian director Jafar Panahi’s This Is Not A Film is being screened at the Pacific Film Archive in Berkeley on July 8th. During the film’s production, Panahi was under strict…
Andrea Portes, author and screenwriter of Hick, discusses adaptation, the disconnect between audience and critic reception to the film, and stories that are in the blood.