The Sunday Rumpus Interview: Robin Black
"I wish I could manipulate time and space and whatever other dimensions necessary to publish my work once as a woman and then as a man – and compare the reactions."
Rumpus Originals
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The Rumpus Review of Obvious Child
Obvious Child is sweetness, swaddled in a dirty joke. It’s the delicate pastel world of Wes Anderson, where characters are imperfect but want to get better. Where every asshole, in the end, has a really big heart.
Conversations With Writers Braver Than Me: Samantha Irby
Sari Botton sits down with humorist Samantha Irby to talk sex, family conflicts, and the creative freedom of being an orphan.
Spotlight: Kevin Gwozdz
In "Do Not Moves Stones," Kevin Gwozdz pays homage to Sappho—and says goodbye to a former lover.
Swinging Modern Sounds #56: On Song-Sharking
The human relationship to music is a passionate relationship, or at least it is in the kind of music I like.
We Used to Be So Close
We used to share so much of ourselves with each other, so much so that our exchanged thoughts and dreams became an energy field of their own.
The Rumpus Poetry Book Club Chat with Emily Abendroth
The Rumpus Poetry Book Club chats with Emily Abendroth about prison work, political poetry, and research in creative writing in her book ]exclosures[ from Ahsahta Press.
TED WILSON REVIEWS THE WORLD #241
BABY POWDER ★★★★★ (5 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing baby powder.
The Sunday Rumpus Essay: The Echo of Hemingway’s Shotgun
In her home in the quiet town of Ketchum, a "stone's throw" away from the infamous house where Hemingway took his own life, Eileen Shields considers the complex interplay of masculinity, guns, and suicide.