When I saw Stephen Elliott call The Orphan Master’s Son “the best novel I’ve read in forever,” in one of his Daily Rumpus emails I knew I had to interview Adam Johnson…
Last weekend I rode the subway towards two indulgent firsts: I spent half of my latest paycheck in a swanky, mirror-lined restaurant with a coat check, and then I walked…
Meet Philipp Wolter and Michelle Glick, the husband and wife team behind the Brooklyn-born FilmGym Productions. Wanting to merge their love of acting with their dreams of creating introspective films…
In a complex story about two anitpodal women, Deborah Scroggins delivers answers in Wanted Women: Faith, Lies & the War on Terror: The Lives of Ayaan Hirsi Ali & Aafia…
The finest moment in Steven Soderbergh’s Haywire isn’t one of its pyrotechnic fight scenes; it’s a facial expression. Shock hopscotches into fear before easing into awe as John Kane (Bill…
Used well, the collective perspective affords the poet a wider voice, a surer sense. The reader feels present in these moments of ruin, trusting even the more fantastical occurrences.
You! Rebecca Victoria O’Neal! I’ve just seen you trip on the sidewalk, confirming a long-held suspicion that you are a Bad Person with Whom I’d Never Hang Out.