Rumpus Originals
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Census, 1980
An excerpt from Love and Shame and Love by Peter Orner, our November Rumpus Book Club selection (which is already receiving wonderful reviews, so now’s a great time to join the RBC if you aren’t already a member):
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Why not read Moby-Dick?
Historian Nathaniel Philbrick lays out a convincing, if scholarly, case for why Moby-Dick is relevant to modern audiences.
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Spotlight: An Interview with Tom Gauld
Tom Gauld talks about art, publishing, the balance between commissions and passion projects, and his upcoming book, Goliath.
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Swinging Modern Sounds #32: An Interview with Mike Doughty
Mike Doughty is a singer-songwriter of a particularly urban sort, whose compositions, though guitar-based and often not terribly far from the ideal of the busker, are, nonetheless, cross-pollinated by just about everything audible in New York City…
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What We Lost When We Lost Barbara Jean
This is the truth. Around noon I gulped a shot of tequila and then placed a chair in my closet, sat down, shut the door and put my .22 rifle in my mouth. It didn’t fit well. The scope got…
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All Narration Just Congeals
Cœur de Lion is a lyric book, a book about being in love with someone you can’t have, and it unflinchingly acknowledges that the person she falls for is kind of awful.
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Five Questions
Nikolai Fraiture, bass player for The Strokes, interviews Jay Griffiths about her book Wild:
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The Rumpus Review of Drive
There are two ways of looking at Drive, the recent Ryan Gosling noir. You can consider what happens on the screen—the plot, dialogue, and action, or you can consider what doesn’t happen—the many silences, distances, empty spaces, questions left unanswered, and…
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FUNNY WOMEN #64: A Call for Artists
How often have you read application guidelines such as: “Artists working in their home countries, women, emerging writers, and people of color are encouraged to apply”? Have you felt flattered by the special invitation?