Rumpus Originals
9691 posts
Letters Home
Writing by hand does remind you, primally, of what this crazy thing we do is made of. The careful spilling of ink on paper, the joints and girders of letters.…
A Squared-Off Landscape Representing the World
A Village Life is the work of a mature poet looking out at the world from a window, but now concerned with the larger cycles in which she participates, instead…
Listen to Metal on Metal and Everything Will Be Okay
Just because you don’t succeed the way others define success, you’re not a failure. You just chose to take a different path. And who’s to say that’s wrong? I just…
Newspapers in New York: News Is a Verb
If you won’t read a newspaper on a New York City subway, where will you read it? As zeitgeist, as canary in the mine, the habits of New York subway…
The Blurb #11: A Fresh Eye
Why do so many of us, as readers or maybe as a society, assume that originality springs forth out of nothing, although at the same time we understand that every idea, every story, has a precedent?
The Rumpus Interview with Lydia Millet
When asked why I publish what I publish, I often reply—I publish in order to understand why I published. Until a book goes out into the world to be engaged…
Waterworld
Loss and longing sit side-by-side with unexpected humor in Laura van den Berg’s stories, reminding readers of the strange things we encounter every day.
Ted Wilson Reviews the World #7
“WHY I WANT TO VISIT HAWAII” BY FELICIA MCCARTHY ★★★★★ (2 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing…
James Franco’s Face: A Subjective Account of the New Yorker Festival
Friday October 16, the New Yorker opened its annual weekend festival of readings, conversations, art tours and musical performances. This is my account of the events I attended, which included…