For a band wreathed with as many indictments as laurels, as many charges of settling into post-avant-garde “dad-rock” as praise for their artistry, it’s no surprise that Wilco’s always been preoccupied with getting reborn.
The emblem, not the animal, mattered. We swatted mosquitoes, made no pilgrimages to Vermont to see bears and moose. I wanted to get as close as possible to my potential animal totem.
The use of barn animals in unusual poses could be so amusing if transmitted broadly and with a sharp message! But that is not to be, and I must express my feelings, as usual, in cross-stitch.
Clarence Major discusses his new collection Chicago Heat and Other Stories, the artist's role in politics, Donald Trump and race relations, and Paris in the good old days.
The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
Allyson McCabe talks with Ken Freedman, the general manager of WFMU (the longest-running freeform radio station in the US), about the relevance of radio, technological innovation, and a just-launched morning show.