Rumpus Original
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Rumpus Original Fiction: To Go
Love can feel muddled, vast, diffuse; so little to do with the singular volatility of a firework. I hunger for that kind of crystalline precision, though. That clarity. To scream myself across the sky just once—consuming everything in my wake—and…
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Finding Enchantment in the Ordinary: A Conversation with Meng Jin
The reason why so many of these stories have metafictional elements is that I was trying to write in an ethical way while feeling like a professional liar.
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Love in and Loving Lisa Dordal’s Water Lessons
If I didn’t already write poems, Lisa Dordal’s Water Lessons would make me want to write them.
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Sustaining our Creative Practice: An Interview with May-lee Chai
Writing is what sustains me and gets me through. It’s the one place where we have control, and even if terrible things happen, it’s not someone else making the terrible things happen.
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Rumpus Original Fiction: Only Humans
Hearing old people’s memories is like watching a once-in-three-generations downpour. In the past, they lived in abundance and air conditioning. So many details go over Salwa’s head. She doesn’t know how to transcribe all the words.
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A void that migrates to the surface: An Interview with Juliet Patterson
That was my singular personal motivation for doing any of this work: to prevent the threat that this might happen to me. I naïvely believed that my parents would not die by their own hand because they had suffered as…
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ENOUGH: ’Til Death
Rape stories are like weddings—everyone thinks theirs is remarkable, but they are usually disarmingly, eye-glazingly indistinguishable.
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To Write the Way We Live: A Conversation with Jonathan Escoffery
I see myself as a story writer, and that’s just the best thing ever.
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Glimpses of Peace Only in Dreams: Andrey Kurkov’s Grey Bees
There’s a war on, and Sergey Sergeyich is worried about his bees.


