Saeed Jones talks about his forthcoming memoir How Men Fight For Their Lives, his new fellowship program at BuzzFeed, and making peace with the phantom.
Maybe, in terms of idiom, The Dabbers are like a thrash rock and roll version of the Cocteau Twins, or what the This Mortal Coil would sound like if the Dead Boys tried to cover one of their albums.
On its surface, The Revenant is a story about revenge and survival. On a deeper level, it’s about how those two motivations factor into a generational battle between the (God-like) forces of nature and industry—a sort of perverted Armageddon.
Alida Nugent talks about her new book You Don’t Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism, the messiness and realness of sex and sexuality, and putting likeability last.
As you forge ahead on the journey called elementary school, each of these areas will be instrumental in helping you rocket to prosperity or plummet to repugnant mediocrity.
Anne Roiphe on respecting writers’ freedom to express the truth of their experiences, while also respecting their subjects’ prerogative to shun them for it.
Plankton either grows into something other than plankton—a strong swimming non-planktonic adult, like a crab or a fish, or it stays the same—forever drifting with the shifting tides.