Russ Kick, editor of The Graphic Canon and certified information hoarder, gives the lowdown on combining classic literature with comics, cruising for dates with Lord Byron, and masturbating fetuses.
We don’t know how to talk about children anymore. We get so wrapped up in these shallow narratives about children being preternaturally advanced, about little girls wearing make up and dressing provocatively and seducing the camera, about little girls maturing faster, developing sooner. We forget.
To be accepted, to be relevant, he would need to become someone else. He would spend the next half-century creating that person and then, at age 60, decide that it was time to reveal his true self, in Father Goose.
My Korean mother leaves me on a fall day in the 1980s. I don’t know the year, only that it is cold, and she—who peels red apples in one unbroken skin, massages my calves when they’ve fallen asleep from sitting too long—is very suddenly gone.
A champion for immigrant rights, Kitzia Esteva talks about the fear and empowerment she embraced while on the UndocuBus, her work as a community organizer, and what Obama’s immigration policies mean to her.
Taking this leap of faith alone has drawn a network around me in numbers stronger than if I had conceived a child inside a traditional relationship and family. In the big and small moments of this new kind of passage, I’ve found love and connection in the intersecting hubs.
THANKSGIVING, 2012 ★★★★★ (2 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing Thanksgiving, 2012.
A "non-stop, fascinatingly meandering, frequently interrupting, talking-over-each-other, freewheeling kind of conversation" with bestselling author Jon Ronson.