Writer Sarah McCarry chats about girl friendships, holding down multiple jobs at once, and setting her novel, a retelling of the Orpheus myth, against the backdrop of 1990s grunge-fueled Seattle.
But in that instant, as I moved just behind her, she froze and pivoted, like a runway model, her hand gripped on her hip, and stared calmly into my face.
When I was coming up, my household owned just two videos, which I watched in perpetual rotation: the musical The Wiz, and Eddie Murphy’s 1983 stand-up act Delirious.
Canadian novelist Catherine Bush discusses the powers—and lives—of accusation, the close relationship between work and character, and the role of the social circus, at home and in the developing world.