Perhaps because he’s so entrenched in it, Frank Bill is a master of conveying life in rural, blue-collar Middle America without pandering to or stereotyping his subjects.
When Justin was twenty, his mother was murdered by her fifth husband in their trailer, off the grid from Tombstone, Arizona. He spent the next decade trying not to be defined by his mother’s death, before deciding to face his grief head on for his new memoir, Son of a Gun.
"I'm like an alcoholic who doesn't drink anything but worst case scenarios..." In the aftermath of trauma, Emily Rapp struggles to give up being "on call" for grief.
Joseph Olshan, whose novel Clara's Heart was reissued last month for its 20th anniversary, discusses impossible relationships, the power of the erotic in fiction, and making your way down the dark and foggy highway of novel writing.
I know I’m not supposed to dog-ear the pages of poetry books. It’s bad for the long-term health of the book. I know this. And yet, I’ve dog-eared more pages…
We know one another’s stories—so S can complain about her husband and I can bitch about my kids without a lot of caveats. We converse in fragments, in the moments the band has gone quiet, yet still understand one another.
Full of youthful energy, hilarious anecdotes, refreshingly honest insights about life and how the fuck we are supposed to move through it all, he's got this presence that could convince anyone that our experiences do not, in fact, have the power to break us.
“This is eulogy material,” my father says as he explains this logic. He preps me, teaches me what to say, how to stand. “Remember how he used to draw symbols on his socks,” he begins...