The Word on the Street is not Pulitzer Prize winner Paul Muldoon’s first work of writing for music. He wrote librettos for four Daren Hagen operas; Shining Bow, Vera of…
Cynthia Marie Hoffman’s excellent debut poetry collection, Sightseer, is part travelogue, part epistle, and part reclamation of the very idea of tourism. The winner of the Lexi Rudnitsky First Book…
45 years ago was a barricaded, world-rocking year. Both in politics and in poetry. Between January and the end of March came the beginning of both the Prague Spring and…
It is near the time of my college graduation. I’m graduating early, barely 20 years old. Among my friends, the stuff of my romantic self-sabotage is legendary.
Anne Champion’s dazzling first book of poetry, Reluctant Mistress, offers readers a thought-provoking revision of the love lyric, rendering this rich literary tradition relevant to a postmodern cultural landscape. While…
Pirates plunder. Pirates navigate by wit and savvy and force. They intercept us somewhere between where we were and where we think we are going to end up. They are…
I’m surprised by the amiable but lukewarm reception Ange Mlinko gives in The Nation to Adrienne Rich’s Later Poems: Selected and New. The 500+ retrospective was published late last year.…
Dark Elderberry Branch is a collaboration between two living poets and one who is dead but fully present. Ilya Kaminsky was born in Odessa (former Soviet Union, in the Ukraine),…
Every prison sentence represents compound tragedies involving family members and friends, the affect on the community where the crime was committed, and, of course, the prisoner whose sentence may or…