In Heidegger’s essay ‘The Nature of Language’ he poses the question “When does language speak itself as language?” He answers: “Curiously enough, when we cannot find the right word for…
I always make my students read Andrew Grace’s “Y,” and they always hate it at first. Because undergrads are undergrads and are hung over approximately one hundred percent of Monday…
Thunderbird is one of the more traditional collections I’ve come across recently, both in tone and in form. Lasky doesn’t experiment heavily with form, preferring to stick to free verse…
Michael Lista nails it with his review of The Open Door: One Hundred Years of Poetry Magazine, the anthology celebrating 100 years of Poetry, edited by Don Share and Chistian…
Publisher’s Weekly gives the red star treatment to John Koethe’s ninth book of poems, ambiguously titled ROTC Kills. PW’s reviewer says Koethe is “an amiable hybrid of late Wallace Stevens,…
The Academy of American Poets is featuring Terese Svoboda’s generous tribute to a relatively unknown 1920’s proletariat poet, Lola Ridge. Svoboda isn’t just knocked out by Ridge. She compares her…
Charlotte Pence, author of Weaves a Clear Night has created in The Branches, the Axe, the Missing a work of significant mythic force that explores intimate circumstances of a woman…
And we love you back. While I’m at it, a little update news. Our current book is Kathleen Alcott’s The Dangers of Proximal Alphabets—Bookslut covered it here and said “It’s…
J.D. Salinger’s Holden Caulfield famously said that the mark of a great author is whether, after reading their work, you want to call them up to talk, want to gab…
I am not impressed with writers who refuse to use punctuation or capitalization; that gimmick has been famously used already, so now it comes across as lazy and unoriginal. Also,…
The cover of Allan Peterson’s Fragile Acts, in print and as eBook, is as visually compelling as the cover of Rebecca Lindenberg’s Love, An Index, the first poetry selection in…