At the New York Times Sunday Review, Rumpus Funny Women Editor Elissa Bassist asks whether television shows have become reliant on cliffhangers as a way to retain viewership season over…
If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
Characters like Mary and Rhoda hadn't been turned into stereotypes of single women in their thirties or career women or divorcees. They couldn't be: they were the first.
It’s difficult, if not impossible, to convey the arc of a series of letters in a TV show. Words flash on the screen at regular intervals in bright Helvetica.