Posts by tag
Art History
17 posts
Make Your Choices: A Conversation with Chris Kraus
Chris Kraus discusses her latest book, After Kathy Acker: A Literary Biography, writing about art under patriarchy, politics, and “the truth.”
Just Doing It: A Conversation with Daniel Ortberg
Mallory Ortberg discusses their new book, The Merry Spinster: Tales of Everyday Horror, what it means to be a self-taught writer, and questioning gender.
The Rumpus Poetry Book Club Chat with Janice N. Harrington
Janice N. Harrington on her new collection Primitive and critiquing the use of "primitive" to describe African American folk art.
Erotica Illustrated
For Hyperallergic, Claire Voon tours the New York Public Library’s collection of historical erotica, ranging from 15th century illustrations of eroticized mythological scenes to risqué 19th century photographs kept safe…
Picturing a New Shakespeare
At Hyperallergic, Allison Meier reviews a new collection that gathers posters for productions of Shakespeare from around the world. This collection has posters from fifty-five countries, ranging from the earliest advertisements…
History in Color
At Hyperallergic, Chris Cobb explores new photography exhibits featuring over 200 color photos from a recently rediscovered collection by Gordon Parks. The collection dates from 1956, when Parks was commissioned by…
The Art of the Prostitute
Joseph Nechvatal writes for Hyperallergic on the Musée d’Orsay’s “splendid but miserable” collection of art from around Paris’s Belle Époque, a collection that focuses specifically on the representation of prostitutes…
A Figurative Recovery from War
In his review for Hyperallergic of a new MOMA exhibit, Thomas Micchelli writes about the work of artists during and immediately after their experiences in World War II. In the…
A Gold Medal Approval Rating
For Hyperallergic, Allison Meier takes a look at the image management of Louis XIV’s reign as told through the medium of elaborate and intricate medals that traveled across late 17th…
The Saturday Rumpus Interview: Karrie Higgins
The more narratives that approach reality "differently" get treated as "insane" or "unreal," the less readers are exposed to them, and the more "unreal" or "insane" they seem. It's like a feedback loop.