Posts Tagged: Art

Art, Love, and Resistance in 1940s Europe: Talking with Meg Waite Clayton

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Meg Waite Clayton discusses her new novel, THE POSTMISTRESS OF PARIS.

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How Hunger Changes a House: A Conversation with Lauren Camp

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Lauren Camp discusses her new poetry collection, TOOK HOUSE.

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Inhabitation and Invocation: Candice Wuehle’s Death Industrial Complex

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The speaker must believe in transience, in shapeshifting without permission.

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The Rumpus Mini-Interview Project #209: Lisa Olstein

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“I don’t think I know how to write if I’m not guided by sound—that’s when it feels like I’m flailing or straining.”

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What Toulouse-Lautrec Taught Me about Intimacy

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I wanted to stop withholding from them, but withholding was like a drug.

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Interestingness Is Always There: Talking with Jenny Odell

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Jenny Odell discusses HOW TO DO NOTHING: RESISTING THE ATTENTION ECONOMY.

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Pronk: On Still Life Painting and the Price of Showing Off

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Everything is political. To believe otherwise is a form of willful ignorance.

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The Clockwork Job Thief

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Ornamental yet functional, mobile yet fragile—do these aesthetic humanoids belong more to the realm of novelty or art?

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The Rumpus Mini-Interview Project #111: Alexandra Kleeman

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“Are we going to try to restore our country to the condition it was in before, or we going to try to imagine something better?”

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You Still Got It: Bar-Hopping with Burt Young

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Actor and painter Burt Young talks filmmaking, art, and the years he spent living on a sixty-three-foot yacht.

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The Universal Tether of Identity: Caca Dolce by Chelsea Martin

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At its core, the collection is recollected through a loose chronology of memoir essays, all of which will appeal to readers’ younger selves: who were we when we were teenagers and who are we now?

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Reclaiming the Identity of the Witch: A Conversation with Katy Horan

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Katy Horan discusses Literary Witches, which she illustrated and worked on in collaboration with writer Taisia Kitaiskaia, out tomorrow from Seal Press.

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Empathy Is Cheap: A Conversation with Brandon Harris

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Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.

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