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Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
...moreIn response to a recent scuffle between a Goodreads reviewer and an author, BookRiot offers this advice to authors: But it’s not just the one-or-two-star reviews. I also don’t think authors should respond to positive reviews, even to say thanks — the dynamic is too weird. Perhaps not all reviewers feel as I do, but […]
...moreAt the New Yorker, Hannah Rosefield talks about how the author interview developed and why we, as a celebrity obsessed culture, care so much. “By Koval’s reckoning, we read or listen to author interviews for the same reason we read novels: to find out how to live. But where novels are often opaque in their […]
...moreThere are a lot of terms writers have to be aware of these days. A lot of them seem like marketing words but they can come in handy when trying to explain to the non writers in your life what the hell you are trying to do. For example: “You, Author: Act as Book’s Publicist, […]
...morePolitics and Prose in D.C. is exemplifying the latest in indie bookstore innovation—they’re introducing the printed-on-demand book. Apparently it takes six minutes to turn over a print book, and customers can watch it happen. And it’s all made possible by an Espresso Book Machine. It seems like with every crafty offering that Amazon makes (like […]
...moreJames Ellroy says that, “My Abandonment is an electrically charged, bone-deep, and tender tale of loss and partial redemption.”
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