autobiography
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Writing into the Void: Talking with Mary Jo Salter
Mary Jo Salter discusses her latest collection, The Surveyors, writing about the domestic as a feminist act, and how her title poem came from someone else’s dream.
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The Rumpus Mini-Interview Project #88: Sarah Gerard
Sarah Gerard’s dazzling second book, Sunshine State, is a collection of essays interlacing narrative nonfiction and personal essay. The thirty-one year old Brooklynite teaches nonfiction and writes a monthly column for Hazlitt. She has received rave reviews from the New York…
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The Rumpus Interview with Jerald Walker
Jerald Walker discusses his memoir, The World in Flames: A Black Boyhood in a White Supremacist Doomsday Cult, the story of his childhood in The Worldwide Church of God, and how the act of writing delivered him from bitterness.
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The Truth of Brushstrokes or Brushstrokes of Truth?
Autofiction is in these days. Discussing her first novel Fantasian at the Asian American Writers’ Workshop’s The Margins blog, Larissa Pham unpacks her perspective on inserting autobiographical elements into fiction: I knew that no matter what I wrote in my…
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The Words We Use to Describe Life Stories
To an English-speaker, the difference between “autobiography” and “memoir” seems intuitive. But in German, there’s no equivalent of the word “memoir.” At Lit Hub, Tara Bray Smith muses on the distinction between the two genres, and what it tells us…
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The Rumpus Poetry Book Club Chat with Janice N. Harrington
Janice N. Harrington on her new collection Primitive and critiquing the use of “primitive” to describe African American folk art.
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Soldiers-Turned-Authors on War Literature
For NPR Books, Quil Lawrence talks with a handful of soldiers-turned-authors about the genre of war literature that has been catalyzed by the wars in Iraq and Afghanistan. These authors want their audiences to know that war is not all Hollywood-scale battle…



