catapult
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This Week in Essays
“There may be freedom in America but it is not for me.” At Catapult, Kenechi Uzor reminds us that not every immigrant story is an uncomplicated, happy one. Mallika Rao writes for the Atlantic on the the beloved web series Brown Girls,…
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Saying What Shouldn’t Be Said: A Conversation with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
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This Week in Essays
Take an immersive trip down the Maine coast with Porter Fox at Nowhere magazine. For The Rumpus, Nancy Jooyoun Kim examines the bizarre dynamics and privilege within the world of tourism. At The Offing, Gabrielle Montesanti’s reflections on piss are…
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This Week in Essays
When Sandra A. Miller’s sister gets cancer, the family looks to their similar sense of humor as a way to power through in an essay on Literal Latte. Here at The Rumpus, Leslie Jill Patterson looks at the unprecedented action on death…
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This Week in Essays
Noriko Nakada writes with mesmerizing beauty on outrunning her darkness for Catapult. In the latest TORCH installment at The Rumpus, Nadia Owusu traces the inherited trauma in her family’s history.
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This Week in Essays
For Huffington Post’s Highline magazine, Jason Fagone profiles a trauma surgeon working to make a small dent in our country’s problem with gun violence. At Catapult, Abbey Fenbert writes a funny, heartfelt essay about trying to ban books in the seventh grade.
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The Rumpus Book Club Chat with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, the writers and books that influenced it, tackling addiction with compassion, and the magic of teenage girls.
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This Week in Essays
For Lidia Yuknavitch, the personal is unavoidably political in this piece for Electric Literature. At Catapult, David Frey writes with moving realness on what it is like to watch a parent age and transition into assisted living. Jenessa Abrams looks at the nuances of…
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This Week in Essays
For Electric Literature, Christine Vines ably dissects the TV show Crazy Ex-Girlfriend and finds it wanting, with the notable conclusion that “We still have a problem with the word ‘crazy’ and this show, despite its feminist packaging, is doing nothing to…