elena ferrante

  • The Story of A New Name

    Earlier this week, Aaron Brady wrote presciently in his column for The New Inquiry about the ethical implications of revealing Elena Ferrante’s identity. He pointed out that in searching for her “real” identity, reporters were forgetting that one of the greatest things…

  • The Generosity of Anonymity

    At n+1, Dayna Tortorici defends Elena Ferrante’s anonymity against yet another round of exposure, calling the unmaskers out for insensitivity and greed. Tortorici believes it’s all too easy to be distracted from the integrity of the book by the author’s…

  • The Appeal of Ferrante and Knausgaard

    On Lit Hub, Stephanie Grant examines the deep pleasure and connection readers experience with the works of Elena Ferrante and Karl Ove Knausgaard. She suspects the familiar tone of both authors’ recent series might help otherwise fiction-averse readers dive into…

  • The Pleasure of Recognition

    Ferrante’s novels about women like Lila and Lenu are a potent reminder that working-class women’s perspectives are out there, even if we can’t always hear each other, even if we’re sometimes embarrassed and alone, even if we feel exasperated by…

  • The Surprising Magic of Bad Books

    The Surprising Magic of Bad Books

    Any story about a fairy is a story about female power.

  • HORN! REVIEWS: My Brilliant Friend

    HORN! REVIEWS: My Brilliant Friend

    Since I’m nowhere near the first, let me be only the most recent to entreat you to read the story of Lenú…

  • Book Covers: A Symptom of Sexism

    For Lit Hub, book designer Jennifer Heuer reflects on sexism in publishing and analyzes “chick-lit” book covers that rely on gender stereotypes to target female readers: The bigger discussion is the genre itself: light-weight novels aimed at a female audience…

  • From the Italian

    The goal is to deliver something from another language into your own language so people will read it and like it. I think sometimes it’s forgotten that you have to be a good writer in your own language.  As part…

  • To Collide Continually

    Our entire body, like it or not, enacts a stunning resurrection of the dead just as we advance toward our own death. We are, as you say, interconnected. For the New Yorker, Nicola Lagioia, author of the forthcoming novel Ferocity, interviews Elena…

  • Get ‘Em While They’re Young

    This year’s children’s literature has some exceptional bonafides. Over the next few months, a number of acclaimed novelists, including Jane Smiley and Elena Ferrante, will be publishing children’s books. Whether a five-year-old can distinguish between literary and genre fiction, only time…

  • The Sunday Rumpus Interview: Idra Novey

    The Sunday Rumpus Interview: Idra Novey

    Swati Khurana talks with novelist and translator Idra Novey about the challenges and joys of translation, the idiosyncrasies of language, the inextricable reception of women’s writing and women’s bodies, and much more.

  • Books Without Authors

    At Electric Literature, Lincoln Michel wonders why readers care so much about Elena Ferrante’s “real” identity, particularly when the anonymous author has made it clear that she believes books “have no need of their authors” after they’ve been penned. Michel…

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