elena ferrante
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What’s in a Name?
The latest issue of The Gentlewoman features Deborah Orr’s email interview with Elena Ferrante, who shares her thoughts on anonymity, the protagonists in her Neapolitan novels, and feminism. Ferrante says: Using the name Elena helped only to reinforce the truth…
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The Rumpus Book Club Chat with Sari Wilson
The Rumpus Book Club chats with Sari Wilson about her new book Girl Through Glass, the demands of the dance world, and New York City as a character.
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Elena Ferrante Breaks into Television
Great news for everyone swept up in the recent #ferrantefever (or possibly terrible news for those who loathe book adaptations): Elena Ferrante’s Neapolitan series will be produced for television. The author herself is reported to be involved in the process.
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The Brilliant Translator
Over at Guernica, Katrina Dodson interviews Ann Goldstein, Elena Ferrante’s translator, about the mysterious Italian writer, the final Neapolitan novel, and the meaning of life: Whether you’re a writer or not, you can imagine looking at your life and thinking,…
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A Neapolitan Adventure
As I discovered during a visit in September, the series of books offered a unique view of this complicated city, leading me away from popular tourist sites and helping to explain the city’s social, economic and geographic divisions. To view…
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History Is Addictive
For Public Books, David Kurnick explores how Elena Ferrante’s attention to history contributes to the addictive nature of her novels and is helping to “revive” realism: The addictive quality of the Neapolitan novels on which everyone agrees may finally derive from their…
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Weekend Rumpus Roundup
In the Saturday Essay, Anna March takes an unflinching look at the historical film Suffragette, which attempts to portray the women who took part in the suffrage movement during the early 1900s. While the film does draw attention to feminist successes,…
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An Unnatural Mother: Elena Ferrante and Motherhood
Reading Ferrante is an intensely personal experience, and it’s disorienting to realize it’s one you’ve been having collectively.
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The Rumpus Interview with Kate Bolick
Kate Bolick talks about her new book, Spinster: Making a Life of One’s Own, writing and the nuclear family, and whether women are finally people yet.
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Ferrante in Fragments
Guernica has an excerpt from an upcoming collection of letters and interviews by Elena Ferrante, Fragments: On Writing, Reading, and Absence, featuring some beautiful prose on the origins of writing, some slant-eyed answers to questions of identity, and brutal melancholia brought…
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The Writer and Social Media
Alexander Chee writes for LitHub on Elena Ferrante’s pseudonymous, social-media-free existence and the choices other authors have made to dis/engage with social media at points in their careers: Ferrante’s anonymity is something of a feminist project, also. No one is…
