In the latest installment of “The Blunt Instrument” over at Electric Literature, Elisa Gabbert tackles the delicate question of bias in literary journals. Her answer? Take thoughtful reflections and make careful adjustments.
Beyond the obvious fact of when it was written or published, what does it mean for literature to be contemporary? Is a work’s relevance determined by market trends and cultural…
I know of no level of success where writers stop getting rejected (and stop at least occasionally feeling bummed about it). People generally make more noise about publications than rejections,…
For Guernica, Elisa Gabbert explores the incorporation of emoji into language and fiction. Gabbert also addresses the idea of diachronic translations, i.e. translating fiction from one historical era to another,…
You’ve got a good thing going. How do you know when to stop? Over at Electric Literature, Elisa Gabbert advises: Calling a manuscript done is a decision you need to make.
For Electric Literature, Adalena Kavanagh has a conversation with poet Elisa Gabbert on Google Chat about how to advise white male writers to publish ethically. Their conversation also explores topics related to power structures…
Last week, Elisa Gabbert broke Twitter with her advice column addressing a white male writer’s anxieties about privilege and perspective. Christian Lorentzen followed up with the author for Vulture: But…