The Rumpus Interview with Kea Wilson
Kea Wilson discusses her debut novel We Eat Our Own, the influence of film on her work, and what she's learned from working as a bookseller.
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Film
210 posts
Oscars Flub as Grand Finale for Camp
On the Hollywood stage—amidst gasps, jaw drops, and pearl clutches—we witnessed one final, beautifully coded failure and an over-the-top dethroning of the serious.
Swinging Modern Sounds #78: Conceived as a Playlist
Shadowbahn [...] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability.
Safety Nets: On Seeing Movies with My Children
There’s no blueprint for any of this. If there were, I would have read it by now.
The Rumpus Mini-Interview Project #71: Kris D’Agostino
In Kris D’Agostino’s second novel, The Antiques, he returns to familiar forms: A dysfunctional family whose members are in various stages of arrested development; a generational home in upstate New…
The Girl on the Bike
First, we must recognize our removal from the machinations of the shadows. The screen stands between us and the internal world depicted on it. There is no communion.
Echoes of Winter: Revisiting Inside Llewyn Davis
The tale of the self-made man is as much a myth as that of a cat having nine lives.
The Rumpus Interview with Tobias Carroll
Tobias Carroll discusses his newest collection Transitory, the influence of film on his writing, and getting good news at bad times.
The Future of Body Horror: Can Our Art Keep up with Our Suffering?
The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
The Rumpus Review of La La Land
Fantasy needs reality “because it’s only with the real backdrop that it works at all,” and reality needs fantasy to challenge its façade
Arrival: A Metaphor for Polemic Times
We are disconnected. Connection fails when we fail to take the time to literally, and therefore metaphorically, see each other.