films
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Imagination as Oasis: A Conversation with Sulaiman Addonia
Sulaiman Addonia discusses his new novel, SILENCE IS MY MOTHER TONGUE.
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At Heaven’s Gates
At the New Yorker, Richard Brody shares a eulogy for director Michael Cimino: Cimino’s life work is a cinema of mourning, an art of grief, a nightmare of memory that finds its sole redemption in ecstasy—the heightened perception that transforms experience into a…
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The Limits of Extreme Beauty: Nicolas Winding Refn and Neon Demon
Daylight here burns up the atmosphere. The dawn of a new day is, in fact, the end of everything.
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An Actress Recommends Five Classic Films to Her Child
Surprise is only one of many aspects of human behavior. There are dozens. Maybe even a hundred.
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A Woman, A Part, A Movie, A Campaign
Of all possible women characters, how did I ever end up writing about an actress? Having spent two decades making films and art about women’s experiences from a feminist perspective, I realized that actresses are the ultimate representation of women—they…
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Blending the High with the Low
Star Wars is a Western. Star Wars is a samurai movie. Star Wars isa space opera. Star Wars is a war film. Star Wars is a fairy tale. Slate‘s Forrest Wickman argues that George Lucas’s serial masterpiece isn’t just underrated—it’s completely misunderstood.
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Sean Kilpatrick on Inspiration
Nicholas Rys interviews Sean Kilpatrick, author of Sucker June, on the creation of his characters, comparisons of the book to Nabokov’s Lolita, and how film inspires the writer: I came first to film like a neighing kinsman. Anyone could snicker…
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Haters Gonna Hate
Some movies just aren’t all that good. A.O. Scott makes the case for film snobbery: You see the problem. “Snob” is a category in which nobody would willingly, or at least unironically, claim membership. Like the related (and similarly complicated)…



