The Imprint of a Mind: Jazmina Barrera’s Linea Nigra
This sparse book, “an essay on pregnancy and earthquakes,” deals with the author’s dueling fears of recent and future earthquakes and her impending childbirth.
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Frida Kahlo
12 posts
What We Need: Juan Felipe Herrera, Maw Shein Win, and John Freeman
Barbara Berman reviews Every Day We Get More Illegal, Storage Unit for the Spirit House, and The Park.
The Rumpus Mini-Interview Project #209: Lisa Olstein
“I don’t think I know how to write if I’m not guided by sound—that’s when it feels like I’m flailing or straining.”
Living, Breathing Art: A Conversation with Bradley Silver
Tattoo artist Bradley Silver discusses the political intersection of body art and street art, and more.
What to Read When You Want to Read about Feminist Saints
A list from Julia Pierpont to celebrate the release of The Little Book of Feminist Saints.
Setting aside Time for Magic: Talking with Myriam Gurba
Myriam Gurba discusses her new memoir, MEAN, her writing process, and why she has hope for patriarchy's dissolution.
Notable Portland: 3/9–3/15
Thursday 3/9: Portland State University’s Chicano/Latino Studies Department hosts Frida-Fest in celebration of Frida Kahlo. Activities will including showing a documentary on Frida’s life, a poetry slam open mic, a…
Kahlo vs. Kardashian: The Subversive Potential of the Female Self-Portrait
Where does the line between the self-portrait and the selfie fall?
Patti and Robert, Frida and Diego
The last painting Frida painted in her life was watermelons, and at the end of his life, Diego also painted watermelons. I always thought that was beautiful: this green fruit…
The Sunday Rumpus Essay: Casa Azul Cripple
"I wanted to be sexual/sexualized, but not fetishized. But was becoming someone’s fetish the only way? How was being fetishized different than being desired for having a unique, unrepeatable shape...or would the one leg always and forever be the only thing that mattered?"
Anywhere But L.A.
In stories that range through history, serendipity, speculation, whimsy, and horror, Daniel Olivas chronicles the lives of characters who have loved—and lost—Los Angeles.