Woven from Dreams: A Conversation with Kiki Petrosino
Kiki Petrosino discusses her newest collection, Witch Wife, the career she’d have in an alternate universe, and the relationship between reading and writing.
...moreKiki Petrosino discusses her newest collection, Witch Wife, the career she’d have in an alternate universe, and the relationship between reading and writing.
...moreWould you say poetry, for you, is the vessel which houses all other forms? I would say it is for me.
...moreChip Livingston discusses his new novel, Owls Don’t Have to Mean Death, his move to Uruguay, his writing life, and the significance of owls.
...moreHanif Abdurraqib discusses They Can’t Kill Us Until They Kill Us, honoring survival by showing up, and refusing to be governed by genre.
...moreLily Hoang discusses her first essay collection, A Bestiary, the importance of genre, and the lessons of teaching.
...moreWomen’s bodies signify so much, both to ourselves and others, that inhabiting them and having ownership over them often feel like two different states of being.
...moreAriel Gore discusses her new novel We Were Witches, why capitalism and the banking system are the real enemies, and finding the limits between memoir and fiction.
...moreDiasporic communities live inside a host nation, but they also live with difference.
...moreDavid Hernandez discusses his most recent poetry collection, Dear, Sincerely, working across multiple genres, and why the act of making anything is a kind of optimism.
...moreIt’s hard to say when I first became aware of Bud Smith’s writing. I’m sure it was online; his work is fairly ubiquitous here—an essay here, a poem there, a short story someplace else. He’s got a few books under his belt to boot, the stellar F-250 and Calm Face, as well as the most […]
...moreLisa Factora-Borchers talks about being a Catholic feminist, writing across genres, and pushing back against a singular narrative about New York.
...moreMichael J. Seidlinger discusses returning to House of Leaves for Ig Publishing’s “Bookmarked” series.
...moreSet in post-Katrina New Orleans, Chris Tusa’s second novel, In the City of Falling Stars (Livingston Press, September 2016), tells a tale of paranoia and intrigue. Maurice Delahoussaye witnesses dead birds falling from the sky, and becomes convinced the air is toxic. With equal parts humor and depravity, the novel chronicles a fractured family amidst a […]
...moreJoe Ide discusses his debut novel, IQ his writing process, and why he enjoys fly fishing.
...moreAlexandra Naughton is a writer who grew up in Philadelphia but converted to a California girl in 2008. She runs BE ABOUT IT, a small press and reading series and is an active member in Bay Area literary shenanigans. Over the course of some days I talked via Google Docs, and later email, with Naughton about […]
...moreI first met Maggie Shipstead in 2011 when she was a Stegner Fellow at Stanford University. She had not yet published her first novel, Seating Arrangements, which would later become a New York Times bestseller, but even then the magnitude of her ambition, shrewdness, and intellectual generosity was evident. After her first book debuted in […]
...moreLaurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
...moreAbeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
...moreThe individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
...moreRobert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
...moreAs Emerson recognizes, someone who couldn’t care less about how they come across is all the more charismatic and convincing.
...moreRoxane Gay discusses her new collection, Difficult Women, the problem with whiteness as the default and the need for diverse representation, and life as a workaholic.
...moreAndré Alexis discusses his latest book The Hidden Keys, puzzles, chance, divinity, and the Toronto literary community.
...morePoet Stacy Szymaszek discusses her most recent collection, Journal of Ugly Sites & Other Journals, the “notebook genre,” and claiming a city—ugly sites and all.
...moreIn a political climate in which undocumented immigrants are painted as criminals and rapists and half the country is crying for deportation, this week’s story reminds us that immigrants are fathers who love their daughters, who work hard and send money home to dying mothers, who will go to the ends of the Earth for […]
...moreThalia Field’s latest work, Experimental Animals: (A Reality Fiction), published by Solid Objects, is a novel that makes you wonder anew about the possibilities of the genre. Told in the voice of Marie Francoise “Fanny” Bernard, wife of Claude Bernard, a founder of physiology and zealous practitioner of vivisection, the book is the culmination of […]
...moreVi Khi Nao on her new novel Fish in Exile, why women shouldn’t apologize (even when they’re wrong), moving between genres, and why humor is vital in a novel full of darkness and grief.
...moreWendy C. Ortiz discusses her new book Bruja, what a “dreamoire” is, the magic all around us, and why she loves indices—and cats.
...moreMax Porter discusses his debut novel, Grief is the Thing with Feathers, literary genres, and the changing roles of editors.
...moreThe artist statement is not just a representation of what you are working on, but an intervention in what you are working on. If you start saying, I aim to do this and not to do this, maybe it keeps you from thinking of your perfect aim, which is none of those things. For BOMB, […]
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