Making Deliberate Choices: A Conversation with Sheila Heti
Sheila Heti discusses her new novel, MOTHERHOOD!
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Posts Tagged: Hemingway
The Rumpus Mini-Interview Project #123: Erica Garza
“[T]here was something really empowering about being honest and open about this part of myself. Somehow, writing helped lessen the shame.”
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FUNNY WOMEN #157: Habits of Less Successful Writers
So much can be learned from the writing habits of successful writers, but what can we learn from the ones who aren’t doing quite as well?
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The Rumpus Mini-Interview Project #108: Akhil Sharma
There is no pretention here toward lasting fulfillment, but there are quiet dinners of lentils and rice.
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A Love Letter to Fuckhead
If you’re judging your characters, you’re not doing it right. I’ll always be grateful to [Denis] Johnson for teaching me that.
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J. M. Coetzee’s “Bread and Beans” Writing
I am fixated by this detail of the bread and beans because it strikes me that Coetzee’s prose might itself be described as “bread and beans” writing: short, declarative sentences, with a fairly simple vocabulary.
...moreThe Rumpus Interview with Mila Jaroniec
Mila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
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The Rumpus Interview with Robert Glancy
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
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The Saturday Rumpus Essay: The Great Elk
For a moment, seeing the small figures walking before the elk makes me think that white people know the Great Elk too.
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The Rumpus Interview with D. Foy
D. Foy discusses his latest novel, Patricide, the evolution of “gutter opera,” his writing process, free will, and memes.
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The Lonely Voice #32: The Last Lonely Voice
That’s what the Lonely Voice has always been to me. It was a privilege to be allowed to have a private conversation with myself in public.
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The Sunday Rumpus Essay: The Year of Light and Dark
It isn’t much of a contest to say that Julie Coyne is the single most inspirational human being I have ever met. And I am here—in Xela—in part because I could use a little inspiration.
...moreBefore There Were Super Bowls
It’s no surprise that a lot of us are sports junkies. Over at AnOther, Kate Little gives us the lowdown on Picasso, Hemingway, and Frank Stella and their favorite sporting pastimes.
...moreA Perfect Likeness
As part of the Hemingway Days festival on Key West each year, the Hemingway Look-Alike Society hosts the Hemingway Look-Alike contest. This year, and for the first time ever, someone with the last name Hemingway took home the honor and the giant medal that goes with it: Dave Hemingway of Macon, North Carolina and who is […]
...moreHemingway and the Trendiness of the Badly Behaved Writer
While most know Hemingway to be a favorite of stereotypical “macho” literature buffs, what with the author’s tendencies for vicious criticism and outright brawling, not many know just how vulnerable he was starting out as a complete nobody in the world of letters. Hemingway owes a debt to the good fortune he had to meet the […]
...moreMaybe-True, Half-Hearted Hemingway in Havana
Papa: Hemingway in Cuba is a recently released film from director Bob Yari following the maybe-true misadventures of the late Hemingway and his years in Cuba, where he lived, drank, and complained after winning the Nobel Prize for fiction. A young author travels to Havana to learn from his literary idol and a tortured bro-mance […]
...moreTelling Your Own Truth
The art of storytelling is largely about choosing what is to be conveyed and—most importantly—what is to be left out. For FSG’s “Works in Progress,” Guillermo Erades, author of the just-released Back to Moscow, writes about the persistently bedeviling give-and-take of fiction of nonfiction. By comparing Hemingway’s bookend works, The Sun Also Rises and A Moveable Feast, […]
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The Rumpus Interview with Miroslav Penkov
Miroslav Penkov discusses his debut novel, Stork Mountain, Balkan history, and the difficulties and rewards of being a bilingual writer.
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The Rumpus Interview with Kristopher Jansma
Kristopher Jansma discusses his second novel, Why We Came to the City, facing adulthood in his thirties, and working through grief and loss in writing.
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Conversations with Writers Braver than Me: Anne Roiphe
Anne Roiphe on respecting writers’ freedom to express the truth of their experiences, while also respecting their subjects’ prerogative to shun them for it.
...moreProtecting Papa’s Papers
Ernest Hemingway lived outside of Havana, Cuba for almost twenty years, and his former house there is a national museum. However, time (and the Caribbean humidity) have damaged many of the writer’s books and papers. Now, a Boston-based foundation is helping to conserve Papa’s property, with help from none other than former TV host Bob Vila. […]
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The Rumpus Interview with Jane Ciabattari and Grant Faulkner
Jane Ciabattari, Vice President/Online of the National Book Critics Circle, and Grant Faulkner, NaNoWriMo director and 100 Word Story co-founder, talk flash fiction.
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The Creative Writing Class That Changed My Life
One could sense this passion in all of us. It seemed to fill the classroom as if it were part of the oxygen.
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The Rumpus Interview with Paul Griner
Paul Griner talks about his newest novel, Second Life, his just-released story collection Hurry Please I Want to Know, putting real life into fiction, and whether creative writing can be taught.
...moreThe Ways of Hemingway’s Heart
A new account of Hemingway’s love life—which famously spanned four marriages and could be said to include complex relationships with a number of male confidants—is forthcoming from A.E. Hochner, one of Hemingway’s dear friends in the last years of his life. The book is based in part on recorded conversations with the author, and serves […]
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The Rumpus Interview with Shulem Deen
Shulem Deen talks about his memoir, All Who Go Do Not Return, his life as an ex-Hasidic author, divorce and parenting, and how painful he found it to be cast out from the religious sect he’d belonged to for over fifteen years.
...moreThe Best Year in Literature
Hemingway’s In Our Time, Fitzgerald’s the Great Gatsby, and Woolf’s Mrs. Dalloway were all published in 1925, the year that the BBC’s Culture site has declared the “greatest year for books ever.” The Guardian wonders, though, what other years could give 1925 a run for its money?
...moreStop Worrying About What Comes Next
At The Millions, Jonathan Russell Clark analyzes several last sentences from well-known novels by Hemingway, Tolstoy, Morrison, and Roth. He pays particular attention to the craftsmanship necessary to write these sentences, and considers how last sentences work to reinforce larger themes within a novel: For writers, the last sentences aren’t about reader responsibility at all — it’s […]
...moreFetishizing Cuba
For The New Republic, Ryan Kearney responds to those claiming that American tourism and investment will ruin Cuba’s romanticism: If you visit Cuba to puff cigars, get drunk on rum-and-cokes or mojitos, read Hemingway, and fetishize the country’s dilapidation with your brand-new Canon Rebel, you just might miss [its] uglier side.
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The Throwaways
Nazir lies buried in the mind’s forbidden faraways, on the margin of the village graveyard, obscured by nettle.
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