This is what my mother doesn’t want me to see: the death rattle in a forbidden room. This is what she doesn’t want me to know: how one life is sacrificed for another to live.
If shame works by convincing us that we are bad, by pinning us into a definition of badness, then the poems in Rummage resist by refusing to be pinned at all.
In the past year, the writing process has become, for me, a way to navigate between the present and the past, between what I have access to and what I will never know.
Morgan Jerkins discusses This Will Be My Undoing, getting her start on the Internet, and why her collection of linked personal essays isn’t just another Millennial read.
Allyson McCabe talks with Celia C. Pérez about her debut middle-grade novel, The First Rule of Punk, her inspirations for writing the book, and her own childhood.
Luckily for us, Dungy’s increase in empathy and experience coincides with her embrace of the braided essay: her thinking crashes people, places, and ideas against each other in unexpected and adventurous ways.
Mahtem Shiferraw discusses her debut collection, Fuchsia, how she uses color to understand the world and to communicate, and why her work continually addresses displacement.