The day the manuscript became Driving without a License was the day I said “yes” to the truth of my own life and coming-of-age experience as an undocumented immigrant.
The Rumpus Book Club chats with Jensen Beach about his short story collection Swallowed by the Cold, suburbia in Sweden, quiet racism, and writing a series of connected short stories.
Brooklyn is a place of layers both personal and historical, one that, as Colm Tóibín puts it, is “full of ghosts.” Reflecting on the recent film adaptation of his novel,…
Plankton either grows into something other than plankton—a strong swimming non-planktonic adult, like a crab or a fish, or it stays the same—forever drifting with the shifting tides.
O’Connor is so often remembered as a misanthropic homebody—but she was comforted by the idea of a God that gave preferential treatment to the most vulnerable among us. For the…
Atossa Araxia Abrahamian on her new book The Cosmopolites, the citizenship market, nearly getting deported in the Comoros, and learning to show up and wait.
Annie Liontas talks about her debut novel Let Me Explain You, crafting voices, and the benefits—and occasional pitfalls—of returning to get an MFA after years of writing in the dark.
In an interview with Bethanne Patrick at Lit Hub, Vu Tran discusses his novel Dragonfish and the idea of subverting the (othered) expectations of immigrant experience through conventions of genre.
But between publishers’, readers’ (audiences!), editors’, writers’—and, it turns out, MFA students’—definitions, the term “immigrant fiction” has become a muddle, a catchall phrase to describe anything that appears “non-American,” foreign…
Author Mia Alvar discusses her debut short story collection, In the Country, fictional motherhood, literature’s role in society, and the limits of belonging to a place.