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Posts by tag

Jess Row

11 posts
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  • Other

Notable Philadelphia: 11/12–11/18

  • Amy Saul-Zerby
  • November 12, 2019
Literary events in and around Philly this week!
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  • Notable San Francisco

Notable San Francisco: 9/18–9/24

  • Nishant Batsha
  • September 18, 2019
Literary events in and around the Bay Area this week!
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  • Notable Los Angeles

Notable Los Angeles: 9/16–9/22

  • Xach Fromson
  • September 16, 2019
Literary events in and around L.A. this week!
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  • Notable New York

Notable NYC: 8/10–8/16

  • Ian MacAllen
  • August 10, 2019
Literary events in and around NYC this week!
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  • Notable New York

Notable NYC: 8/3–8/9

  • Ian MacAllen
  • August 3, 2019
Literary events in and around NYC this week!
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  • Notable New York

Notable NYC: 4/6–4/12

  • Ian MacAllen
  • April 6, 2019
Literary events in and around NYC this week!
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  • Other

Writing the Third Rail

  • Guia Cortassa
  • October 23, 2014
My teacher’s point was, “Don’t write about race. It’s not worth it. It’s the third rail.” Over at Guernica, Grace Bello interviews Jess Row about his new book, Your Face In…
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  • Rumpus Original
  • Rumpus Originals

The Rumpus Weekly Review of Books

  • Julie Morse
  • October 10, 2014
A brutal Irish girlhood, a medical procedure that can change your race, and a novel narrated by the brilliant Russian inventor of the theremin—all in this week's Rumpus Books coverage.
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  • Features & Reviews
  • Reviews

Your Face in Mine by Jess Row

  • Kim Fu
  • October 7, 2014
Kim Fu reviews Your Face in Mine by Jess Row today in Rumpus Books.
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  • Other

The Voice of Secondary Trauma

  • P.E. Garcia
  • September 29, 2014
In his review of Bilal Tanweer’s The Scatter Here is Too Great, Jess Row writes about the trauma that’s influenced so many of Pakistan’s novelists: Pakistan is a country where…
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  • Features & Reviews
  • Politics
  • Rumpus Original

The Rumpus Interview with Jess Row

  • Chris Feliciano Arnold
  • March 7, 2011
"It’s really a liability in contemporary American fiction that many of us are taught to avoid political or intellectual matters in our work. It’s a real weakness in the way that fiction is taught in this country."
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