John D’Agata, visionary champion of the essay and master anthologizer, sees the lyric form “partake of the poem in its density and shapeliness, it’s distillation of ideas and musicality of…
For Electric Literature, Liesl Schillinger reflects on his struggles to find examples of “good” men in contemporary fiction, and shares his joy in finding one in Lauren Groff‘s Fates and Furies. Further,…
Patience. Curiosity. Repetition. Looking again and again. Not imposing a story line. Letting composition emerge through pattern, rhythm, shape, sound, movement. Occasionally … you hit upon a moment of grace.…
Like every other year, in 2015 we wrestled with the knowledge of our constructed selves. But rather than eschew personhood as a postmodernist might, we considered just who we’ve been…
Domestic duties are regarded as feminine in popular culture. Karl Ove Knausgaard’s enormous three volume tome, My Struggle, is full of descriptions of domesticity, and he has been showered with…
There is a vanishing point in our humanity, a point at which the other goes from being definite to indefinite. But this point is also the locus for the opposite…
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster…
I think of the four elder statesmen of Norwegian letters as a bit like the Beatles: Per Petterson is the solid, always dependable Ringo; Dag Solstad is John, the experimentalist,…
Over at WBUR, Radio Open Source calls their program “an American conversation with a global attitude.” The podcast touches on everything from first-reads with James Wood, to Knausgaard on literary…