Stitching the Sea Together: A Conversation with Kathryn Smith
Kathryn Smith discusses her new poetry collection, SELF-PORTRAIT WITH CEPHALOPOD.
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Join NOW!Kathryn Smith discusses her new poetry collection, SELF-PORTRAIT WITH CEPHALOPOD.
...moreCan women ever fully escape the restrictions upon them, the risk to their bodies that comes from being born female?
...moreTo us he was Professor McClatchy, and he presided over our Wednesday afternoon sessions with the grace of an elegant, erudite gentleman.
...morethe roosters brace their cruel feet and glare // with stupid eyes / while from their beaks there rise / the uncontrolled, traditional cries.
...moreWhat does it mean to be carried away? To be captured, carried off, liberated? To lose control of oneself? Lerner doesn’t show concern for questions like these. More generally, The Hatred of Poetry takes little interest in the rarities of technique across a poet’s body of work and avoids questions about his or her sense […]
...moreThere’s a way in which poets are always ahead of their time, if they’re good enough to be universal. At The Poetry Foundation, Alexandra Pechman describes how Marianne Moore’s poetry was always in play, never finished or frozen: “Her habits of research and revision presaged the far-reaching sourcing and pliability that defines writing made in […]
...morePoet Terese Svoboda talks about her biography of the socialist-anarchist firebrand and modernist poet Lola Ridge, Anything That Burns You, and remembers a time when the political was printed in newspapers.
...moreRobyn Schiff talks about her collection A Woman of Property, the long con of “owning” land, her passion for early novels, how motherhood changed her poetry, and the generative powers of form.
...moreIt’s Women’s History Month at the Poetry Foundation. The editors peg Elizabeth Bishop’s poems—in volumes with titles like North & South, Questions of Travel, Geography III—to her wide-ranging geography, and to her illustrious cohort.
...moreThe fatal problem with poetry: poems. At the London Review of Books, Ben Lerner discusses the difficulty of memorizing Marianne Moore’s “Poetry” and how every failed poem is actually what makes poetry successful as a whole.
...moreNew audio preservation technology just opened a treasure trove at Harvard: thousands of recordings of influential poets reading their work, once feared too deteriorated to salvage, are now being recovered. As WBUR reports, the IRENE program takes high-res 3D photographs of old records deemed too fragile to play with an ordinary needle, which can then […]
...morePoet Daisy Fried talks shop about the avoidance of being a Mommy Poet, machismo, how to create a poet advice columnist, and why “women’s poetry” is best compared to a tricked-out car.
...moreA review of Micrographia People don’t read enough, and when they do, they don’t ask the questions of themselves that Micrographia demands.
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