Miles Davis
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A Deeper Narrative: Tongo Eisen-Martin’s Heaven Is All Goodbyes
These are not poems to read quickly, but to return to repeatedly.
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The Brink of Unbearable: Careen by Grace Shuyi Liew
[I]t is as if I am learning a new language with each poem.
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Swinging Modern Sounds #93: Cosmic Tones for Mental Therapy
I see both subjectivity and objectivity as constructions.
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ENOUGH: Clara, Too
A Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
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Wanted/Needed/Loved: Franklin James Fisher’s “Rhoda”
I have to work to get the sounds, but then the magic kicks in.
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Notable San Francisco: 4/12–4/18
Wednesday 4/12: Douglas Kearney reads for for UC Berkeley’s Holloway Series in Poetry. Free, 6:30 p.m., UC Berkeley, Hearst Field Annex. Joyce Carol Oates presents A Book of American Martyrs at Moe’s in Berkeley. It’s always a treat to encounter this…
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Swinging Modern Sounds #78: Conceived as a Playlist
Shadowbahn […] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability.
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Album of the Week: Peter Silberman’s Impermanence
“It’s not the notes you play, it’s the notes you don’t play.” This quote from Miles Davis is what inspired Peter Silberman during the make of his first solo album, Impermanence, out now via Transgressive. Forced by a temporary hearing…



