Lessons from The Little Virtues
For the New Yorker, author Belle Boggs reflects on Italian writer Natalia Ginzburg’s collection of essays, The Little Virtues, and how the book influenced her own parenting philosophy. Boggs writes:…
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Some Kind of Deft Acceleration
Over at the New Yorker, Thomas Beller writes about reading Don DeLillo’s White Noise, with its opening move-in day scene on repeat, and the ways stories change when read again and…
Podcatcher #4: Getting Curious with Jonathan Van Ness
Jonathan Van Ness discusses his podcast, Getting Curious with Jonathan Van Ness, fierceness, curiosity, and hairstyles.
It’s Never Just a Game
Adelle Waldman reviews Jay McInerney’s latest novel for the New Yorker: There’s no dodging the paradox at the heart of his career. Although his best books have never been merely…
Nostalgia’s Record
At the New Yorker, Amanda Petrusich writes an ode to Other Music, a New York City record shop that recently closed its doors after more than twenty years in business. For Petrusich,…
“Seven People Dancing”
The New Yorker hosted a discussion about a previously unpublished Langston Hughes short story with Arnold Rampersand, who wrote a two-volume biography of the Harlem Renaissance poet, and first discovered…
The Rumpus Interview with Jennifer Barber
Poet Jennifer Barber discusses loss, identity, historical trauma, and her newest collection, Works on Paper.
As a Matter of Fact
The New Yorker’s Jill Lepore laments the devaluation of truth in politics with the rise of “big data”: The era of the fact is coming to an end: the place…
Women Writers, Whatever That Means
I had considered envying men before—I pretend to envy things like their higher incidence of ungrounded confidence and monomania, but I don’t really envy those things, and I’m not sure…
A Crucial Conversation with the Self
For a black woman in a white world, a conversation with the self is crucial: for when she walks through that often-unwelcoming world she is subjected to confining perceptions of…
The Rumpus Review of The Big Short
My reading of the audience’s reaction to the bombast of The Big Short is not that people genuinely find the story amusing, but rather, that we are experiencing discomfort while simultaneously expecting to be entertained.
Examining the Dictionary for Sexism
We need to know that the dictionary, as an institution, has a cultural power beyond the sum of its parts…And that does carry with it a responsibility to realize that…