Ryan Ruby talks about his debut novel The Zero and the One, the challenges of pacing and plot, and the fun of inventing a book of philosophy for the novel.
In Kris D’Agostino’s second novel, The Antiques, he returns to familiar forms: A dysfunctional family whose members are in various stages of arrested development; a generational home in upstate New…
Plot has lost its prestige. Fighting against what he perceives as a changing of values in the modern novel, John Mullan writes an ode to plot, from the masterworks of…
Do not make me decipher your intent. Do not assume allegorical common ground. Do not make me pay attention to your god damn motif. Tell don’t show, like Wikipedia. A…
Lidia Yuknavitch discusses her latest book, The Small Backs of Children, war, art, the chaos of experience, and that photograph of the vulture stalking the dying child in the Sudan that won the Pulitzer Prize.
Great writers, along with everything else they are doing, stage a readerly experience and lead their readers through it from first word on first page to last. Mapping out what…
With the help of math and computers, a University of Nebraska English professor has been plotting the basic shapes of novels (spoiler: there are six), but this time in a…
Luke B. Goebel talks about his experimental novel, Fourteen Stories, None of Them Are Yours, his dark days in San Francisco, hands as blood-bags, and literary Ouija boards.
A meteor killing off the dinosaurs was obviously a cop out because the author didn’t know where to take the story. This was just one of several responses on Reddit’s…