poetry
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The Last Book of Poems I Loved: Looking for The Gulf Motel by Richard Blanco
Sara Habein on the last book of poems she loved, Richard Blanco’s Looking for the Gulf Motel.
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Notable New York: 5/13-5/19
Monday 05/13: Emily Books presents “What is the Queer Novel?” featuring a reading and discussion with Sarah Schulman and Barbara Browning. Housing Works Bookstore, 7pm, free. The Franklin Park Reading Series welcomes a killer line-up featuring The Rumpus’ Roxane Gay,…
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Easy Math by Lauren Shapiro
Weston Cutter reviews Lauren Shapiro’s Easy Math today in Rumpus Poetry.
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The Rumpus Interview with Denise Duhamel
Poet Denise Duhamel talks about form, inspiration sparked by pole-dancing dolls and movies, and the art of constructing prose poems to fit on Venetian blinds.
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Kings of the F**king Sea by Dan Boehl
Jason Storms reviews Dan Boehl’s Kings of the F**king Sea today in Rumpus Poetry.
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Notable New York: 5/6-5/12
Monday 05/06: Ben Greenman heads to the Franklin Park Reading Series to celebrate the release of his new novel The Slippage along with Sam Lipsyte, Toure, Claire Vaye Watkins, and Amelia Gray. The first fifty people at the reading get…
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The Rumpus National Poetry Month Project 2013
Welcome to the Rumpus National Poetry Month Project! This is the fifth time in a row we’ve celebrated April with a previously unpublished poem a day. We’ll update this post each day with a link to that day’s poem. Enjoy!…
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National Poetry Month Day 34: “Newborn” by Deborah Ager
This brings our 2013 National Poetry Month Project to a close. I’d like to thank all 34 poets who trusted us with their work and all the people who read, appreciated, and forwarded their work along on Facebook and Twitter,…
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The Collected Poems by Marcel Proust
Joe Winkler reviews the Collected Poems of Marcel Proust today in Rumpus Poetry.
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National Poetry Month Day 33: “______________________ studio practice with italicized Michael Ondaatje quote” by Khadijah Queen
30 days hath Septemnber, April June and November, but National Poetry Month hath as many days as we want it to hath. ______________________ studio practice with italicized Michael Ondaatje quote

