[Adamshick's] disinterest in self-promotion is plain, and the interview should be read with his tone in mind: wary, self-depreciating, somewhat amused.
Throughout the collection, the speaker in these poems is constantly aware of this contradiction, the intersection between life and art, perhaps frighteningly so, seeking solace in “these few things left,”…
Schomburg’s newest book, Fjords, Vol. 1 holds true to this idea of finding familiarity in a parallel consciousness. Just because the poems often work in a seemingly private dreamscape, doesn’t…
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and…
Marge Piercy’s unflinching clarity of vision continues to be the kind of sturdy example so vital to literature. She has long been teaching and in the public arena, on the…
At The New Republic, Ruth Franklin celebrates the work of the late Wislawa Szymborska, and explores the brilliance of Polish poetry throughout the last half-century. “Assuming that there weren’t any…
In three very different but equally gorgeous sections, Griffith guides us through every poetic form from sonnet to villanelle, all while examining the idea of what it means to be…