This is the one I return to, sometimes several times a year. The term “Horror Vacui” has two definitions, both of which serve as a useful framework while skirting the…
Cyborgia is wildly imaginative and the poems don’t take themselves too seriously. Even when these women are being constructed or destroyed, the book isn’t particularly angry or even political. It…
It’s just a coincidence that I’ll be teaching the Wendell Berry poem “Enriching the Earth” tomorrow, a poem which ends with the lines “And so what was heaviest / and…
The voice that animates The French Exit is smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of…
Last year, you might remember, it looked like the journal Tri-Quarterly was a goner. Lots of concerns–valid one, I want to note–about how well the journal would go through the…
Lina ramona Vitkauskas asks, and her collection stands as an intrepid answer, the question as to why haute couture, avant-garde and post avant-garde cinema, Derrida, and marine life should be…