refugee
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From the Archive: Rumpus Original Fiction: No Good
The sounds that she would expect here are entirely absent. There are no cries, no weeping. Just soothing, muffled tones.
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Starting with Fire: A Conversation with Mai Der Vang
Mai Der Vang discusses her new poetry collection, YELLOW RAIN.
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What to Read When You’re Grown-Up but Still Love Middle Grade Novels
J. Kasper Kramer shares a reading list to celebrate THE STORY THAT CANNOT BE TOLD.
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A Parcel of Stories: Hard Damage by Aria Aber
The speaker in Hard Damage, it seems, is writing herself to life.
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Closing Nazareth: On Shelter
We stood with the open-handed absence which finally allowed for a telling.
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The Pains of the Past: A Conversation with Golnaz Hashemzadeh Bonde
Golnaz Hashemzadeh Bonde discusses her second novel, WHAT WE OWE.
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The Rumpus Poetry Book Club Chat with Ilya Kaminsky
Ilya Kaminsky discusses his new collection, DEAF REPUBLIC.
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The Real Fidel
In a flash nearly 200,000 Cuban refugees understood that we’d lost our homeland and had better get used to life en la Yuma. We packed for six weeks, and we stayed for six decades.
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Displaced in the Grotesque
O’Connor is so often remembered as a misanthropic homebody—but she was comforted by the idea of a God that gave preferential treatment to the most vulnerable among us. For the Paris Review, Dave Griffith writes about reading Flannery O’Connor’s “The…
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Fresh Comics #2: Transmissions from Beirut
What are the fundamental differences between telling your own story, telling the story of another, and telling your story about trying to understand someone else’s story?